Puritan and Pilgrim in the 16th-17th Century in New England Research Paper

Puritan and Pilgrim in the 16th-17th Century in New England - Research Paper Example The emergence of both Puritans and Pilgrims can be traced fairly and squarely back to the tumultuous event of the Reformation in Europe. Starting in Germany, and spreading across Northern Europe, there was a growing dissatisfaction with aspects of the Christian Church leadership, particularly in areas related to abuse of finances, moral dissolution, and key theological issues relating to the role of bishops and senior clergy. In Britain there was an on-going religious debate relating to the Reformation agenda, but this was further complicated in the Church of England, which departed from the control of Rome, largely due to differences between Henry VIII and the Pope on the rules relating to marriage and divorce. In Scotland, the Presbyterians separated absolutely from Rome and set up their own structures, without the controversial bishop role, while in England many reformist Christians were dissatisfied with the compromises made by the Church of England. In the North East of England a small group were persecuted for refusing to integrate within the Church of England. Their major complaint was that the Church had not sufficiently cleansed itself of the immoral features that characterized the Roman Catholic church. This caused them to be rejected by their local parishes in England and so they emigrated first to Holland and then to the New World, hoping to build a new life there which was truer to biblical precepts. This intention to travel in search of their religious goals is what gave them the name â€Å"Pilgrims.†

Pride and Prejudice Analysis Essay Example for Free

Pride and Prejudice Analysis Essay Elizabeth Bennet receives two proposals; one from Mr Collins and one from Mr Darcy. Mr Collins was a tall and heavy looking man of twenty-five years. Although he was polite and well mannered he was also pompous and had a self-inflated ego. He always made never ending speeches about nothing and bored everyone to death. Mr Collins flattered everyone constantly but sometimes inappropriately. He begged to know which of his fair cousins the excellence of its cooking was owed. -By this, Mrs Bennet was offended and assured him they were in fact able to keep a good cook. This showed his lack of judgement in when to compliment. He was also quite absurd and Mr Bennets sarcasm often went completely unnoticed. For example, on page 54, Mr Bennet asked if his flatteries were prepared and Mr Collins admitted that sometimes he would think of them for his amusement! Lady Catherine de Bourgh who was his patroness employed him. He grovelled to her constantly as she paid his way; because of her, he was middle/upper class. He was a clergyman at Hunsford near Rosings, Lady Catherine de Bourghs home. When Mr Bennet dies, Mr Collins will inherit Longburn, as Mr Bennet cannot leave the house to his wife; women couldnt inherit. In Mr Collins letter, he proposes to make peace with the family. Mr Darcy on the other hand was very good looking. He soon drew the attention of the room by his fine tall person, handsome features, noble mien He is also described as a fine figure of a man. But he was soon to be discovered to be proud above his company. He was clever, but at the same time he was haughty, reserved and fastidious. He owned Pemberly Estate and got one thousand a year. -He was upper class and he knew it; He had seen a collection of people in whom there was little beauty and no fashion for none of whom he had felt the smallest interest. Darcy and Bingley had a good friendship despite many differences. Bingley was sure of being liked wherever he appeared; Darcy was continually giving offence. Darcy had no sense of humour and admitted it. He couldnt see the funny side of life whereas Bingley was light hearted and liked to enjoy everything he did. In the past Wickam and Darcy had a disagreement. Mr Darcys father had promised Wickam a place in the church but when he died Darcy refused to help him. Mr Collins first hints on his future plans in his letter to the Bennets when he writes; I cannot be otherwise than concerned at the means of injuring your amiable daughters, and beg leave to apologise for it, as well as to assure you of my readiness to make them every possible amends. On the first day of staying at Longburn, he, in a conversation to Mrs Bennet said; I can assure the young ladies that I come prepared to admire them. -Here he gave Mrs Bennet a small glimpse of his intentions. Jane Austin then gave it away saying that now having a good house and income; Mr Collins was in want of a wife. He was also pleasing Catherine de Bourgh who thought he should marry. So for the first evening Jane was the settled choice being not only the eldest, but the prettiest -this was, until he was informed by Mrs Bennet that she was soon to be engaged to Bingley (exaggeration). Then at the Netherfield Ball he asked Lizzy to dance several times and she realised she was the chosen one out of the five sisters. Mr Darcy on the other hand was far from admiring Lizzy at first and when Mr Bingley suggested he dance with her at the Meryton Ball he replied that he had not the least intention of dancing. -Bingley was dancing with the only good looking girl in the room. Here he was referring to Jane. He said Lizzy was tolerable, but not handsome enough to tempt me. Then at Sir William Lucass party, William tried to pair up the two of them and Darcy did not resist, but Lizzy brushed him off with; I have not the least intention of dancing. -this was pay back. It was at this party that Darcy realised his true feelings for her. At Netherfield when Jane went to stay, she fell ill and Lizzy being worried came to visit. Here, she noticed that Darcy was constantly watching her. Miss Bingley who secretly liked Darcy, in seeing that he was drawn to Lizzy tried to turn him against her. But all in vain, for whatever she said, he just stuck up for Elizabeth. Miss Bingley, in Mr Darcys defending her said; I am afraid Mr Darcy that this adventure has rather affected your admiration for her fine eyes. I think when she says this shes half-teasing and half jealous of him liking her. Before proposing, Mr Collins said to Mrs Bennet, May I hope madam, for your interest with your fair daughter Elizabeth, when I solicit for the honour of a private audience with her in the course of this morning? -Here, he was basically asking Mrs Bennets permission to propose. He then launched straight into his speech. Mr Darcy came to visit Lizzy and at first made light conversation, asking about her health. Then there was an awkward silence where he must have been trying to think of how to start before proceeding. -Differences are already showing through. Mr Collins first said hed chosen Lizzy almost as soon as hed met her (which was a lie) and went on to specify his reasons for marrying her. He, as a clergyman wanted to set an example to the rest of the parish, he thought it would make his happy and he was following Lady Catherine de Bourghs advice. Hed obviously planed out his speech carefully but in his reasons, he had not mentioned that he was in love with her! Darcy on the other hand offered his hand in marriage because he did love her and his opening sentence expressed this clearly; In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how I admire and love you. Mr Collins also made several insults to Lizzy when proposing to her without even realising it! For instance, he said that if she refuses, she my never get another offer. He also reminds her that if she stays single, all she may ever be entitled to is twenty-five pounds when her mother dies. Darcy put his foot in it too. After saying how much he loved her, he went on to say that it was not his wish to do so with her connections and status; His sense of inferiority -of the family obstacles which judgement had always opposed to inclination. When he was turned down he thought she was just offended; Could you expect me to rejoice in the inferiority of your connections? -To congratulate myself on the hope of relations, your connections? He also admitted to trying to split up Jane and Darcy and even rejoiced in his success of doing so. In response to rejection, Mr Collins thinks Lizzy is playing hard to get and says this is to be expected of a lady. He goes on to say all the good materialistic reasons to marry him forgetting to mention things like love. He acts as if marrying would be a good investment for Lizzy or something. He then assured her that both of her parents approved of the marriage. Mr Darcy in response to rejection is shocked and angry but manages to control himself. He asked why he had been refused and thought she must be offended by what he had said earlier; Could you expect me to rejoice in the inferiority of your connections? But after saying these words he accepted her answer. Both proposals were made for very different reasons; Mr Collins obviously proposed for convenience, whereas Mr Darcy was in love. Both men also reacted in different ways when turned down; although Mr Collins couldnt take the rejection, he was not actually bothered about anything other than having his male pride hurt. -Darcy must have been extremely upset, to him Lizzy was the woman he wanted to spend the rest of his life with but he tried not to show his emotions. They both involved a lot of snobbery in their proposal speeches. They thought that Lizzy would not reject someone of the higher class and she should be grateful that she was chosen out of all the other girls; both reminded her constantly about her status. Mr Collins was more personal mentioning both what would happen when her mother and father died but Lizzy got more angry at Darcy because of things he has said and done in the past. Mr Collins and Mr Darcy both said in much detail all the pros and cons of the marriage. In conclusion, both proposals have some similarities but they differ in the essential requirement of love.

British Broadcasting Corporation

British Broadcasting Corporation Why For So Much of its History was British broadcasting organised as a public service? By way of introduction, it is important that I explain about the British Broadcasting Corporation, known otherwise as the BBC, in order to get a better insight to what I will be explaining further on. Being the first and the Worlds biggest broadcasting organisation, it has been known to be a public service broadcaster, which has been up and running since 1922, providing services on the internet, TV and radio. I should highlight the fact that when we talk about a â€Å"public service†, we mean services which have been provided to us via the government. Though according to Ofcom, (Office of Communications) a problem lies when we define this term, as it has 4 meanings attached to it. â€Å"Good television; worthy television; television that would not exist without some form of public intervention; and the institutions that broadcast this type of television.† (http://www.ofcom.org.uk/consult/) The BBC first started as a private company by manufacturers, whom in order to en courage their radio sales to the public, needed to go through a dependable foundation. The government therefore intervened in this new change, until 1926, when the Crawford Committee decided that the BBC should turn into a public corporation. The objective of this essay is to realise why the BBC has been linked with the public service for a great period of time. I will now begin the main part of the essay, where I will be discussing the history of the BBC followed by reasons to why it has been what it is. Firstly, let me shed light on the word broadcasting. Broadcasting is the transmitting of programmes to be heard simultaneously by an indefinitely large number of people-is a social invention, not a technical one. This form of conveying out messages started in the First World War, but was not yet completely recognised until the 1920s. Due to this recognition, in 1922 there was an increase in demand for applications in setting up broadcasting stations, which needed to be controlled. Quoted by one of the companys first employees, â€Å"the BBC was formed as an expedient solution to a technical problem. It owes its existence to the scarcity of air waves.† (Curran, 2003:110) In order to address the situation, rival manufacturers were persuaded by The Postmaster General to come together and join all the small broadcasting stations together into one station, which was The British Broadcasting Company. The BBC was to be financed by both tariffs and a licence fee, which after some time proved to be unsuccessful for the rapid expansion of the station. Listeners were building their personal sets with low-priced foreign components, and applying for new licenses. The BBC was not in favour of this and manufacturers were irritated that the production was not proving to be as cost-effective as it should have been. As a result of this, the Sykes Committee was established to help out. Two years later, the Crawford Committee accepted the essential need of a monopoly and proposed that the private company should be swapped with a â€Å"Public Commission operating in the National Interest.† (Curran, 2008:111) There were certain reasons to why the BBC was regulated, which we can consider. One of which, was that there was limited space on the frequency spectrum, which therefore meant that no organisations could appear freely without any government rule, so to limit this, the government had to step in. In other words, there were technological constraints. It was not technically possible to have numerous amounts of signals altogether, which could ultimately cause blockages. Further more, the Post Office were forcing all the electrical manufacturers to create a single system as it was finding it very difficult to control the private broadcaster who were transmitting messages freely without obtaining a licence from them. More over, being a more important reason was linked with the first managing director of the BBC, John Reith, whom believed that the aim of the BBC was to â€Å"inform, educate and entertain.† (Revue of the BBC Royal Charter, 2005:107) Being brought up within a Calvinism background, he viewed the world very differently and this increased his strengths and weaknesses on his view of broadcasting in general. â€Å"His duty as the managing director of a national company was to act in the national interest, which he interpreted along the lines of not broadcasting anything which might help to spread the strike and thus damage the nation.† (Sales, 1986:49) This quote therefore gives us the impression that according to Reith, the cultural life of Britain would improve, and whatever was to be shown should not only be done so to make the listeners happy, but at the same time to increase tastes and attitudes. Reith argued that the medium should be accessible to everyone, as he exp lained â€Å"There is no limit to the amount which may be drawn off. It does not matter how many thousands there may be listening; there is always enough for others.† (Curran: 2008, 113) For that reason, having a monopoly was crucial and support from the State was needed. Following on, we can also take the example of USA into account. The way in which the model of organisation was in USA was not accepted by Britain, as the Politicians thought it was inappropriate and were not fond of what they saw, and moved to other models. The way in which the BBC is funded needs to be examined as well. It is through the licence fee, under the Wireless Telegraphy Act, that enables the BBC to act in the public interest. This fee is paid by households and is undoubtedly a reason to why the BBC is a public service, as the public are paying and therefore the BBC should be publicly responsible. Apart from analysing some factors which donated to the function of a public service, the relationship which existed between the BBC and the State can be looked into as it could have a part to play in why the BBC was organised as a public service for so much of its history. The BBC was neither self-governing of, nor managed by the government and was sympathetic of any values and institutions that were given by parliamentary democracy. In general they had a good relationship between one another, but sometimes the bond between Reith and the state was unsettled. However, this did not stop both parties from taking into account â€Å"a shared interest in reaching a mutually acceptable modus vivendi.†(Khun, 2007:43) The General Strike in 1926 could also help to understand the relationship between the BBC and the State, due to it being a very crucial time for the BBC, as it was the first serious confrontation it had with the Government. This strike happened when the BBC was going through an important change. Due to the strike, which lasted for a period of nine days, newspapers were not being published and as result the whole country turned to the BBC. At this point in time the BBC was favoured by Winston Churchill, as he could see that the radio was a more adaptable method to communicate with the population and therefore asked the Prime Minister of that time, Stanley Baldwin to take control of the company. This decision was not in Reiths favour as according to him, the company was doing very well being independent with the public, whilst avoiding any control by the government. Nevertheless, this was not an unavoidable situation, as under the BBCs 1923 Wireless Broadcasting Licence, the governmen t had legal rights to have the BBC broadcast what it wanted. Before I finish off, it is worth noting that from the Second World War, it was an end of the BBC monopoly in broadcasting and a beginning of the duopoly, as ITV was then introduced. However, this did not stop the BBC from being highly regulated. It was still under government control. Due to the opening of ITV, there was an increase in the variety of broadcasting, which undoubtedly had caused competition between the BBC and its competitors. However, the BBC along with other public service channels were doing well, as they were â€Å"achieving the purposes of public service broadcasting† (Ofcom, Service Broadcasting Review:5) But we need to take into consideration the effect digital age will have on these methods of broadcasting. For example, consumers will have more choice, as they can watch or listen to whatever they wish via the internet. However it is considered that the BBC will â€Å"continue to make a strong contribution to the purposes of public service broadcasting, g iven its scale and the certainty of its finances to the end of digital switchover. (Ofcom, Service Broadcasting Review:6) As a final point, it is interesting to note that the only thing which comes close to the BBC in the UK is the NHS, both being a very unique and popular corporation, which has expanded an enormous amount since its first opening. BBC however started as a radio show and now provides eight TV services, ten national local radio stations and has the most admired website in the world. Therefore, what the future holds for the BBC is vital, as it is important that the Corporation keeps up to date with the digital age and technology, and more over the BBC should still remain to serve the citizens, especially the ones who pay for it through licence fees. According to the BBC Charter Review2006, the role of the BBC is â€Å"recognised and admired by the British public and extensive consultation on the future of the BBC has shown that the public want that role to continue† (Page 9) The Government have realised up to what level the publicly-funded broadcaster plays on everyday life, and as a result, it wants to keep it like this due to the gains license fee payers and society as a whole get out of it. In conclusion, it is possible to say that the BBC has had a positive outlook, being able to adapt to any change to audiences attitudes quite easily. It did remain a public service for a very long time until the 1980s, until the whole notion of public service was called into question. The Thatcher government wanted to test out the notion of public service with broadcasting, by introducing a new thought linked with consumer sovereignty. Nevertheless, the fact that the BBC stayed under government control for a period amount of time acting as a monopoly, showed that it was successful in many ways. Yet, there are contradictions which exist, as many believe that the BBC should be fully regulated by Ofcom, whilst others disagree with this fact, as to them Ofcom did not have the BBC in mind when it had its goals laid out and also it is a busy regulator. As a result of this, the solution is to make sure the BBC board of governors provide successful regulation of the BBC in order to prevent t he BBC being under Ofcom. Throughout this essay, I have explained factors to why for so much of its history the BBC was organised as a public service. In order to achieve an overall answer, we as readers need to reflect over the reasons to why it continued to have any input from the government, which I have previously discussed. There are no explanations which show us that the BBC was not doing well under regulation, as since its change from a private to a public corporation in 1926 till today, the BBC has been the most popular broadcasting company in the UK and should remain to do so in the future. Bibliography  · Curran, J. and Seaton, J. (2003, 6th edition) Power without responsibility, Routledge.  · Kuhn, R (2007) Politics and the Media in Britain, Palgrave.  · Sales, R. (1986) An Introduction to Broadcasting History, Longman.  · Ofcom, Service Broadcasting Review  · http://www.ofcom.org.uk  · www.bbccharterreview.org.uk A Public Service for all: The BBC in the digital age 2006.

External and Internal Forces in Jane Eyre by Charlotte Bronte Essay

External and Internal Forces in Jane Eyre by Charlotte Bronte In Charlotte Brontà «Ã¢â‚¬â„¢s Jane Eyre, the eventual goal of Jane Eyre’s journeys and struggles as a character is for Jane to be strong enough within herself to stand on her own. It is not until she finds this internal strength that she can live as a content individual and weather the distracting demands put on her by the external forces that surround her. Throughout most of the novel, Jane makes the mistake of looking for this internal peace through external forces like Mrs. Reed, Mr. Rochester and St. John. To convey this tendency, Charlotte Brontà « constructs her narrative so that, rather than looking within herself to find internal solace, Jane turns away from cold, alien internal imagery, and looks instead to fickle external imagery that is at times a friend, and at times a foe. The internal imagery is reflective of Jane’s own internal state, and the external imagery is reflective of the state of the external forces that surround her; until Jane realizes t hat she cannot find solace in the ever-changing external forces around her, and must instead look inside herself for this solace, the internal imagery must remain cold and alien, and the external imagery must remain unpredictable in its ability to comfort. For the purposes of this paper, the external world is defined as any force, whether this force is human or of the natural world, that is outside of Jane Eyre, and thus threatens to distract Jane from her essential journey as a character. The internal self is within Jane, and must be strong in order for Jane to stand on her own and able to withstand the external forces of the narrative. From the very first scenes of the novel, Jane looks to the external wor... ...the wood symbolizes and find their way home, toward the internal happiness that â€Å"home† represents. The novel Jane Eyre details one woman’s journey to find a place for herself in a world that does not want her. In order to do this, she must find internal strength and solace. For a large portion of the novel, she seeks and fails to find this through external forces. For every two steps forward, she takes one step back because of external forces that draw her away from this internal self. However, Jane does manage to progress and eventually find internal happiness. Her journey and her turn to the external, battle with the internal, and eventual acceptance of her internal self in spite of external forces is embodied in the external and internal imagery that Bronte uses throughout the course of the novel. Such imagery is inherently necessary to Jane’s evolution.

Accounting Midterm

The monetary unit assumption states that transactions that can be measured in arms of money should be recorded in the accounting records. 5. The drawings account Is a subdivision of the owner's capital account and appears as an expense on the unicorn statement. 6. Revenues are a subdivision of owner's capital. 7. The trial balance has no limitations or weaknesses. 8. In an automated system, the entering of data and transferring of information is 9. Adjusting entries are often made because some business events are not recorded as they occur. 10.Adjusting entries are recorded in the general Journal but are not posted to the accounts in the general ledger. 1 1 . Adjusting entries are not necessary if the trial balance debit and credit columns balances are equal. 12. An adjusting entry always involves two balance sheet accounts. 13. The accounting cycle begins at the start of a new accounting period. 14. A work sheet is a mandatory form that must be prepared along with an income statemen t and balance sheet. 15. Both correcting entries and adjusting entries always affect at least one balance sheet account and one income statement account.Multiple Choice: Select the most correct answer. (1 5 marks) 1. As a result of corporate reporting scandals, proposals to improve business raciest have come from all of the following except a. Regulators. B. The investment community. C. The Canada Revenue Agency. D. The accounting profession. 2. Ethics are the standards of conduct by which one's actions are Judged as b. Honest or dishonest. . Fair or unfair. D. All of these. 3. All of the following are steps used to analyze ethical dilemmas except a. Using the organization's code of ethics to identify ethical situations. . Using personal ethics to identify ethical situations. C. Identifying potential stakeholders. D. Discussing the ethical dilemma with co-workers. 4. Generally accepted accounting principles are a. Income tax regulations. B. Standards that indicate how to report econ omic events. C. Theories that are based on physical laws of the universe. D. Principles that have been proven correct by academic researchers. 5. The investment of cash by the owners off business requires a debit to and a credit to a. Owner's capital; cash b. Drawings; owner's capital c. Ash; drawings d. Cash; owner's capital 6. The withdrawal of cash for personal use by the owners off business requires a to the drawings account and a a. Debit; debit b. Debit; credit c. Credit; credit . Credit; debit to the cash account. 7. An accountant has debited an asset account for $1,000 and credited a liability account for $500. What can be done to complete the recording of the transaction? a. Nothing further must be done. B. Debit an owner's equity account for $500. C. Debit another asset account for $500. D. Credit a different asset account for $500. 8.Purchase equipment with a note payable. Pay utilities with cash. . Owner withdraws money from the business for personal use. Example: (a) an d (d) are a match because both of them include one increase in assets and one decrease in assets, so there is no effect on the accounting equation. Question 1: Solution (b) and O) are a match because both of them include one increase to equity and one decrease to equity. (c) and (h) are a match because one decreases liabilities and the other increases liabilities. (e) and (f) are a match because one decreases liabilities and the other increases liabilities. (g) and (I) are a match because one increases assets, and the other decreases assets, showing that utilities were paid in cash with customer cash payments for services rendered. Question 2: 12 marks Hone's Bike Repairs opened for business on March 1, 2008. The following transactions occurred in March. March 1 Jack Hon.. Invested $5,000 cash in the business and contributed equipment March 5 Completed services for customers who paid cash $400. March 6 Paid $660 for a one-year insurance policy. The policy takes effect April 1 and wi ll expire March 31, 2009. March 8 Completed services for a major customer and invoiced the customer $1 ,OHO.March 1 5 Paid for printing advertising brochures $125. The brochures were distributed the same day. March 20 Received a bill from the utilities company for March utilities in the amount of $70. The amount is due April 4. March 5 Entered into a contract with a new customer who will use Hone's services for repairs on their entire fleet of rental bikes. The customer paid $800 in advance for repairs to be completed in April. March 31 Jack Hon.. Withdrew $1,200 for personal use. March 31 Received $600 cash from the customer billed on March 8. Instructions: Journalize the above transactions. Explanations are required.Question 2: Solution *copy answer from paper notes* Question 3: 10 marks Pierson Insurance Agency prepares monthly financial statements. Presented below is an income statement for the month of June that is correct on the basis of information insider. PIERSON INSURANCE AGENCY Income Statement Month Ended June 30 Revenues Premium commission revenues Expenses Salary expense $6,000 Advertising expense 800 Rent expense 4,200 Amortization expense $35,000 Total expenses Net income 13,800 $21,200 Additional Data: When the income statement was prepared, the company accountant neglected to take into consideration the following information: 1.

How useful is the concept of genre to media producers and audiences Essays

How useful is the concept of genre to media producers and audiences Essays How useful is the concept of genre to media producers and audiences Paper How useful is the concept of genre to media producers and audiences Paper Essay Topic: Film Pulp Fiction All areas of media such as film, TV and music can be classified into recognisable types also known as genre. These can be divided by what is known as sub-genre. For example a film such as Rush hour can be classified into category of action-comedy. The main element of the film is action but has comedy within it so would fit into the sub-genre of action-comedy. Generic codes repeat with regularity and are useful to the producer of the film, the people who make it and the audience alike. Genre is a very useful tool, for the people whose idea it is to make the film, to the audience who finally consume it. The use of genre makes advertising a particular film an easier process. A film poster is quite an important aspect of a films advertising. This therefore means what is advertised on the poster is very important. The genre of the film must be instantly recognisable by a potential consumer of the film. Cabin Fever is a film where the genre is quickly recognised by the audience. The poster shows a hut in the distance, with a forest around it but only red and black colours are used. The use of the colours signifies to the audience blood and horror. The designer of the poster has used these colours because of the way audiences sub-consciously or not recognises certain generic codes. We often associate red with blood and also death, though on its own would not signify a horror film so we see a hut in the wilderness. Though most people would be able to tell this is a horror film at the top of the poster it says Terror In the flesh. Each genre will appeal to different people as everyone has their own tastes, so it is important for the producers of the film to use the codes and conventions associated with the film so that what is advertised applies to the genre it suggests. Part of the success of the advertising campaign echoes from previous examples of that genre. A science fiction film may feature something that the audience will relate to, such as in Independence day where we see the distant earth with spaceships. We know what the genre will be and therefore whether to chose to see it. A proportion of the audience will go and see a film based on who directs it. Where a film is sold on the personality of the director, this is known as the auteur theory. These films are sold on the directors particular style and these films are a success because of it. Occasionally these films are often hard to categorise into a genre, as the directors individual style can mean they do not follow the conventions of a genre. Tarrantino is a director famous for his individual style. Two of his most well known films, Resevoir Dogs and Pulp fiction play on are expectations on the gangster genre. Through our experiences of watching gangster films we know what to expect, however with films such as the two suggested we enjoy watching films, which break the codes of that genre. A film such as Scarface is a gangster film that follows the typical codes that the audience expect from it. If the audience has experiences of seeing such films it makes watching Pulp Fiction more enjoyable as it breaks these conventions but still can be classified as a gangster film. What stars feature in a film can often determine the success and popularity of a film. Audiences will often go and see a film based on what actors or actresses star, and not what type of film it is. This means that genre is not always as important especially when the film is consumed on the basis of the stars in it. It makes it easier for producers to guarantee the success of a film by signing a famous star. This means that genre is not always as important to the audience if they decide whether to watch a film on who stars in it. Actors often stick to a particular genre of that they are best known for or are seen to act the best in. It can be risky for an actor to be in a film they are not familiar with, as they may not be able to adapt, which can be disappointing for the audience who are used to their chosen actor/ actress in a particular role. Arnold Schwarzenegger is well known for action films, such as in the Terminator series. When the audience knows that he is in a film they may want to go on see it because they like the role he plays, but also because they know the type of films that he is in. The auteur theory and who stars in a film shows that genre is not always useful to the audience. However genre is very important if we wish for our expectations in a film to be met. We use conventions to make us feel at home and deviating from aspects of a genre may confuse the audience or mean that their expectations are not met. A film such as Die hard follows many of the conventions that the audience would expect. It has a terrorist situation with peoples lives at risk. Against all odds the good guy manages to defeat the numerous enemy and the leader of the terrorists by using guns and various other weaponry. The main character Bruce Willis has a woman whose relationship whose relationship is in jeopardy. If the audience wanted to see an action film where the conventions of this genre are followed then Die hard would be a good choice as these are followed. Where the audience have the expectation of a film to be a certain way, we find it enjoyable where this is fulfilled at the end of the film. If this is not met the audience can feel disappointed that they have not seen what they expected. This can be quite dangerous for profucers and film makers, as if the audiences expectations have not been met they may feel cheated which can generate particular mistrust for a particular film maker or genre. This is the last thing producers and film makers want, which is why venturing into a new convention, or changing conventions of a genre is risky. However this can have its rewards but is a gamble on whether it will be a success or not. This is why the media world does not often see this. When producing something that the audience is familiar with it has a guaranteed success, as long it is of a reasonable standard. The media world is controlled by finance. The people and organisations that fund a particular project or product are often un-willing to back something with a lesser chance of success due to its diversity. This is understandable, as the media world is a business with the aim of achieving as much profit as possible. However where the genre is played on, can bring in the rewards. Sometimes a film does not meet our expectations, however this can sometimes be a good affect. Where a films genre has been messed about of changed we enjoy the unexpectedness of the genre being messed about with. Pulp Fiction is a film where the audience may feel this. At the start we feel at home because we have seen many other gangster films in the past but we enjoy the script which makes the characters talk like no ganters weve ever heard before. The situations are familiar to us, but the dialogue very different to what the audience expects. An example of this is when the characters played by Samuel L. Jackson and John Travolta are in a car talking about what each country calls a Macdonalds meal. Our enjoyment stems from our knowledge of genre however for the audience to appreciate this kind of experience they must have knowledge of the genre. We enjoy seeing the rules of the genre broken as long as the film-maker does not go to far so the audience isnt confused and perhaps disappointed with what theyve experienced. A fine balance has to be met so it is important that the film makers get it right. However rebellious or alternative we picture ourselves as we still like some level of organisation in the media texts we enjoy. This is what genre is used for and makes us feel secure through the genre workings. Genre is useful and enjoyable to the audience in that we like the anticipation of waiting for the predictable features. Though we may complain when a television programme such as Eastenders has a predictable setup, but one of the reasons we watch it is that we see our expectations fulfilled. The audience enjoys this, but sometimes we like the producers to surprise us. With all types of media, there are examples where the producer can go too far, and the audience can be lsft disappointed or confused. This can mean the audience will not watch the program again which is the last thing the producers want. In an episode of the x-files we expect some kind of investigation in Alien activity by Molder and Scully, however when the stand up comedy episode was aired I fely that this did not work and Id imagine other viewers would feel the same. These types of films usually come from a film company with a low film budget or from outside of Hollywood. This is because the film-makers, producers and director has less constraints which mean there is more freedom to make the film they want to. Hollywood is often reluctant to venture into a project with known risk as at the end of the day for many the aim for many is to make as much money as possible from the film. However in recent years Hollywood are seeing the benefits of changing conventions of genre, as the producers know how to meet our expectations, and so therefore also how to play with them. These films can often be considered low-art, as though they are very popular by consumers do not necessarily have to be of a high quality. As long as the mass-market continues to watch these films then Hollywood will follow particular genres very closely. Film producers use genre ton see what types of films are popular. Western films used to be very popular, however this genre has somewhat now gone out of fashion. This is why Hollywood does not make this genre of film for consumers. Hollywood aim is to achieve the pleasure of the majority of the population, which means genre is a useful tool in doing this. After all, the film industry is competing for the audiences leisure pound. If there is films in the cinema that few people wish to see then this leisure pounf will be spent on something elso. All forms of media are competing for this leisure pound, and so by appealing to the audiences tastes on genre is more makes it more likely for the audiences leisure pound to be spent on this. Many people find by finding what type of film or genre it is can determine whether they want to pay to see it. As action and comedy are two of the most popular genres by making a film such as rush hour which combines the two is likely to be popular. Even when we go to a video shop already knowing what type of film we want to watch, be it a night in with friends to watch a horror film or whatever. This is useful because we can easily pick out what films fall under this genre, as they are easily spotted or are categorised into genres.

The Mythical Loch Ness Monster Friend or Foe Professor Ramos Blog

The Mythical Loch Ness Monster Friend or Foe The Mythical Loch Ness Monster: Friend or Foe? The Loch Ness Monster, or otherwise known as Nessie, is a mythical animal that allegedly lives in Loch Ness, a large freshwater lake near Inverness, Scotland. Many representations of this mythical creature have surfaced in the film industry. Many of the takes on Nessie The Loch Ness Monster, has always been somewhat portrayed as a MONSTER. In Scottish folklore, all of the residence there that have lived there for generation after generation, have all said the same thing. A Loch Ness Monster, lives in the Loch Ness Lake. Even though accounts of an aquatic mythical sea creature lurking in the depths of this  historic lake that has had sightings that date back 1,500 years ago. The compelling  evidence of this mythical creature has never actually been recoreded.  Except for this photo that is known as the surgeons photograph in 1934 was later to be discredited since this photo was proven to be a hoax. (Tikkanen 1). When someone mentions The Loch Ness Monster, this image is the firs t thing that comes to mind. I want to paint a more delightful picture of this so-called monster that the rest of the world has labeled it to be.     Jeffrey Jerome Cohen is the author of Monster Culture (Seven Theses), this will be the source that I will be using to evaluate Nessie The Loch Ness Monster. I will be analyzing three of the seven monster theories that Cohen has described to us in his book Monster Culture (Seven Theses). Connecting them to Nessie The Loch Ness Monster, as thoroughly as possible. Thesis I: The Monsters Body Is a Cultural Body, is the representation of time and the place of a specific monster can occur in time whether its a specific period or place during a movie, show, book. Cohen is very intuitive and states that the monster is born only at this metaphoric crossroads, as an embodiment of certain cultural moment of time, a feeling, and a place. In 565 ad. the first written account for Nessie The Loch Ness Monster, appears in a biography  of St. Columba  (Tikkanen 1).Which means that this Loch Ness Monster, could have been real at some point throughout our history.  Ã‚  According to that work , Nessie The Loch Ness Monster, had bitten a swimmer and was prepared to attack another man when Columba intervened, ordering the beast to go back (Tikkanen 2). The sea creature obeyed, and over the centuries only occasional sightings were reported. Now recently in 1933. Nessie The Loch Ness Monsters legend began to reappear. For some reason a road was built adjacent to Loch Ness Lake, offering an unobstructed view of the Loch Ness Lake (Tikkanen 3).     In that same year of 1933 the same year the road was built a couple saw an enormous animal- which they compared to as a dragon or prehistoric monster- and after it crossed their cars path, it disappeared into the water (Tikkanen 3). Relating this theory, The Monsters Body Is a Cultural Body, towards The Loch Ness Monster or Nessie given the period when first sighted in 565 ads. was around the time Justinian the Great was ruling all of the Western Roman Empire (Tikkanen 4). Which had become an eraof war at sea.  Ã‚  It only makes sense to draw claims of seeing a mythical sea creature around a body of water just after being brutally traumatized with the essence of war. We can draw parallels and see why people have or may have not seen the actual existence of Nessie The Loch Ness Monster.   Thesis VI: Fear of the Monster Is Really a Kind of Desire. Thesis VI is concerning itself with the ability that the monster always seems to attract others no matter the state of mind. Cohen suggests that monsters are continuously linked to forbidden practices, to normalize and to enforce. Cohen believes that society likes to be scared. For the past century Loch Ness Lake in Inverness, Scotland has become a tourist attraction for people all around the globe. In hopes of enduring the immense amount of terror and thrill that comes from being able to see or be in the presence of Nessie The Loch Ness Monster. As Jeffrey Jerome Cohen stated, linking of monstrosity with the forbidden makes the monster all the more appealing as a temporary egress from constraint. Two keywords in this statement Egress and Constraint. The definition of egress is the action of going out of or leaving a place (Oxford Dictionary). Nessie The Loch Ness Monster has been around for 1,500 years a well-known mythical creature and yet people all over the planet egress towards this mythical creature in hopes of seeing the unknown. Thesis VI: Fear of the Monster Is Really a Kind of Desire. Constraint. The meaning in which is said to have a limitation or restriction and also a stiffness of manner and inhibition in relations between people (Oxford Dictionary). Nessie The Loch Ness Monster, has far exceeded our expectations of what this mythical creature actually is or if it even roamed on the earth long before we did. The restrictions are what hold us back from the truth people want to believe The Loch Ness Monster, exist but they are restricted from their own beliefs. The stiffness of manner and inhibition of the relations between people are virtually identical. They all want the same thing to witness, to observe or to feel this mythical creature just by its essence of existence. If Nessie or the Loch Ness Monster, were real these people would love to feel that sense of fear. Which is why it ties into Cohens Monster Theory, Theory VI: The Monster Is Really a Kind of Desire. Lets face it if Nessie The Loch Ness M onster, were real people would go above and beyond to get as close as we possibly can to the creature to feel that feeling that we rarely only feel in movies, video games or when doing very dangerous activities. This is why Theory VI: The Monster Is Really a Kind of Desire.is so important and almost wrong not to connect Nessie The Loch Ness Monster with this theory. The Loch Ness Monster, attracts those who are seeking the unknown. (Eerie music starts to play as you read the rest) The last monster theory that will help finalize my analysis and evaluation towards Nessie The Loch Ness Monster will be, Thesis II: The Monster Always Escapes. Jeffrey Jerome Cohen states in his Monster Culture (Seven Theses) This thing of darkness I acknowledge mine. Cohen seems to be addressing the fact that humanity has addressed its own darkest fears and actions. Portraying them in movies, shows, art, etc. Is it possible that almost every single interpretation towards Nessie The Loch Ness Monster, have all resulted in the same plot and climax? Where Were Ness the Loch Ness Monster, is a terrifying sea creature from the depths of the sea seeking to harm humanity. All except one movie in 2007. The Water Horse: Legend of the Deep. The movie directed and written by Jay Russell has the audience follow a young boy named Alex Etel. On the shore of Loch Ness, Scotland, Inverness Alex Etel finds an unusual egg. When it hatches, it releases a surprise which turns out to be a water horse, t he legendary creature from Scottish mythology.Every movie or book that has been published they all make Nessie The Loch Ness Monster, out to be some evil killing monster that lurks in the Loch Ness Lake in Inverness Scotland.Cohen says Monsters are our children.. We created Nessie The Loch Ness Monster, out to be some actual monster. But if Nessie were real. I would prefer to accept the fact that it would be more along the lines of The Water Horse: Legend of the Deep. In this film Nessie, The Loch Ness Monster, is very much a gentle giant sea creature. Never harming anyone in the film but only when Alex Etels life was in danger due to the soldiers trying to bring down The Water-Horse. Even the very title of the film is captivating not portraying any fear or of monstrous intensions. The film is very heart-warming and shows the viewers that not all monsters are monsters. Even when we perceive them to be, our eyes fool us. All and all. Nessie The Loch Ness Monster, is a majestic wonder in the world of folklore. The grading system will be of that of a school system, except there is no pluses or minuses. I will give The Loch Ness Monster in the film industry a nice even C. Since most of the films are making The Loch Ness Monster be a monster, but The Water Horse: Legend of the Deep. Helped boost this grade because of the different take on the mythical creature. The last grading criteria will be the legend itself and folklore. I will be giving this one an A. Because the conversation of there actually being The Loch Ness Monster will always be up for debate. Generations after generations they will keep the mythical creature alive throughout the essence of time. The mythical Nessie The Loch Ness Monster is a B monster. Who knows. Maybe in due time, well see the actual Loch Ness Monster reveal itself†¦ Annotated Bibliography Loch Ness Monster (Nessie). Monkeyshines on Mysteries in History, Jan. 2004, p. 14. EBSCOhost, search.ebscohost.com/login.aspx?direct=truedb=khhAN=11062169site=hrc-live. This is the first-ever documented sighting of Loch Ness Monster, also known as Nessie. The first-ever sighing was in 565 C.E. I will be using this evidence in my essay to show the first-ever recorded history of the Loch Ness Nessie Monster. Nessie in Dramatic New Loch Ness Appearance? British Heritage, vol. 34, no. 6, Jan. 2014, p. 11. EBSCOhost, search.ebscohost.com/login.aspx?direct=truedb=khhAN=91516853site=hrc-live. This article has an image of the so-called Nessie the Loch Ness Monster. A photographer captured what it seems to be a wave in the Lake where Nessie is living. I will use this evidence to apply it the Theory 2 The Monster Always Escapes of the 7 theories. Cohen, Jeffrey Jerome. Monster Theory: Reading Culture. University of Minnesota Press, 1997. This will be my primary source of evidence to help me identify the Loch Ness Monster into these theories. Also helping me understand the Loch Ness Monsters purpose and more relatable theories. Loxton, Daniel. The Loch Ness Monster. Skeptic [Altadena, CA], vol. 11, no. 1, 2004, p. 96B. Academic OneFile, Accessed 18 July 2019. This book of the Loch Ness Monster is very relevant to my research because it has recent sightings and more compelling evidence for me to use. I will try to use this so that I can apply them to my primary source which is The Monster Theory. Tikkanen, Amy. Loch Ness Monster. Encyclopà ¦dia Britannica, Encyclopà ¦dia Britannica, Inc., britannica.com/topic/Loch-Ness-monster-legendary-creature/media/1/345688/226693. This article helped me recover the first evidence of The Loch Ness Monster. I will be using this in my evaluation because this is historical data that is very sufficient for my work.